With the number of new broadband-enabled TVs and Blu-ray players expected to be sold, along with devices such as the Xbox 360, Roku, TiVo, and PS3, consumers now have many ways to get their video fix. So what are the new business models that will be created from these devices? What hurdles need to be overcome so that content can be monetized for multiple platforms?

At this year's Streaming Media West Show, executives from Xbox, Roku, Sling Media, Motorola, TiVo, FLO TV, Vizio, Verizon, ZillionTV, Cisco, MobiTV, and Boxee will discuss the role of current consumer entertainment devices in this new convergent world and how these devices will play together to offer a superior video experience.

It's not too late to get a pass to the show and readers of my blog can register using my own personal discount code of DRF1, which gets you $200 off the ticket price. You can attend all three days of the SM West show for only $695.

On Monday, November 16th, the night before the Streaming Media West show begins, Brightcove is throwing an exclusive executive networking event designed for online video managers, producers, and leaders. Complimentary cocktails, food and a live discussion with Brightcove's CEO Jeremy Allaire will take place at the St. Claire Hotel in San Jose, CA from 7:00pm – 10:00pm PT.

Brightcove says that attendance is limited and that registrations will not be taken at the door. You must be pre-registered to attend so hit up the website and get your RSVP in now.

In addition to this event, we have three other networking events taking place during the week of the West show. On Tuesday November 17th, we've got the show opening reception taking place from 5-7pm on the exhibit floor and after that ends, have a big networking mixer taking place starting at 7pm which you can register for here.

While the entertainment industry still seems to get most of the media's attention around the use of streaming, the enterprise and retail verticals are using and deploying online video every day, with real success. At the Streaming Media West show in two weeks, we've got a great lineup of speakers from Fortune 500 corporations and leading online retailers including: Zappos.com, Home Shopping Network, Hot Topic, American Sporting Goods, Bank Of America, Lockheed Martin, Wachovia, BP America, Flowserve Corporation, Charles Schwab & Co., Accenture, Franklin Templeton Investments, Intuit, Safeway and Amgen.

It's not too late to get a pass and readers of my blog can register using my own personal discount code of DRF1, which gets you $200 off the ticket price. You can attend all three days of the SM West show for only $695.

Sunday on 60 Minutes, members of the film industry and the MPAA were interviewed for a story about movie piracy. As usual, they were complaining about how much money they are losing, saying they can't do anything about it and how piracy prevents them from taking chances on making more good movies. What a load of crap. The reason they make so many crappy movies is because they don't know what consumers want and their model consists of producing five movies, with the hope that one will be a blockbuster. That's always been the movie business and it has nothing to do with piracy on the web.

Yes, piracy is not a good thing for any content owner, but rather than the movie industry giving consumers what they want, convenience and choice, they choose to ignore the demands in the market. Rather than embrace digital distribution, the studios still want to act as if it's a bad thing for the movie industry as a whole. Why not embrace it and start working with someone like Netflix who has a legit model for delivering movies via streaming? The whole reason Netflix doesn't have any first-run movies to date, is because Netflix can't afford to license the content because the costs from the studios aren't affordable.

Consumers say they want movies digitally, so the studios give it to them via iTunes, but then charge $5 more to download the movie, as opposed to buying the physical DVD. Where's the sense in that? There isn't any, unless of course you are the movie studios and are greedy, making more money off something that costs you less to distribute. The studios refuse to adopt new distribution models because they let big retails like Walmart and others push them around. The studios are so scared that if they price digital content the same as DVDs, stores like Walmart will balk at selling DVDs, which is the movie studios bread and butter.

Some will argue that movies on iTunes are more expensive than the physical DVD because the digital file is generally 720p in quality and consumers should pay more for it. Ok, fine. Can someone then please show me where I can download a lower quality movie below 480p, for less than $10? If consumers should pay more for higher quality movies, why isn't there any option to pay less for lower quality?

All studios ever do is complain. You never hear them sound like they are actually happy with digital technology, because in reality, they aren't. We keep hearing about how poor they are doing and how the Internet is ruining their business, yet this summer they grossed $4.7 billion in ticket sales, the highest grossing summer ever at the box office. How did that happen if the Internet is suppose to be eating into their business? Over the past ten years, the highest grossing year on record for DVD sales and rentals was 2004 with $24.9 billion. Last year, the total gross was $22.4 billion. That's not a huge gap to make up. If the studios actually embraced digital technology, new distribution models like Redbox and stopped treating customers as if they are all criminals, their business would be doing a lot better.

(Updated: Codes are now gone. None left.) Thanks to the folks at EPIX, I have 200 free invites codes to give away for anyone who wants to try out the online portion of their new movie service. While EPIX is giving out a limited number of 72-hour codes via their website, the codes I have will give you access to their online movie catalog for 30-days. All you need to do is send me an email asking for a code but you MUST be based in the U.S. or they won't work. Anyone who Retweets or links to my earlier blog post (http://retwt.me/1Jsp6) about EPIX's new service will get two invite codes.

EPIX, a new premium pay-TV entertainment channel from Viacom, Paramount Pictures, Lionsgate and MGM, launches today for Verizon FiOS subscribers. The service, which costs $9.99 a month comes with a unique online video component. In addition to watching movies via the linear TV channel, or via the VOD model tied to a set-top-box, subscribers also have the ability to stream all of EPIX's content in HD quality at EPIXHD.com

Last night, I got hands on with the service, spent some time watching a bunch of movies and was very impressed. (If you want to see it for yourself, I'm giving away 200, 30-day invite codes.) The user experience, functionality, navigation, player controls and video quality were all excellent. For HD quality, videos are rendered out in 1280×720 and encoded in H.264 at two bitrates, 3Mbps and 2.2 Mbps to take advantage of Adobe's multi-bitrate technology. EPIX encodes for a total of six bitrates, including 500Kbps, 900Kbps, 1200Kbps, 1700Kbps and the two HD bitrates. The custom built Flash player has all of the usual bells and whistles but one of the nicest features is the detailed metrics it gives you on the quality of your stream.

When you click on the "stream info" button, a window appears in the video screen that tells you the speed of your connection, how many seconds before the video buffer is full, gives you the bitrate you're streaming at and gives you the option to maintain the maximum bitrate by turning off the variable bitrate functionality. Today, all of the videos are being streaming via Akamai, but as EPIX mentioned in a call last night, over time, they expect many of the MSOs who license the EPIX channel to bring the streaming inside their closed network. Verizon is not doing that as of yet, but I would not be surprised to see them do that over time as keeping the streaming inside their network would provide a better quality user experience.

EPIX said that by the second quarter of next year, their goal is to have 3,500 feature films available for streaming in HD. The one catch, due to licensing terms, movies can only be streamed in the U.S., so if you travel overseas, don't expect to be able to stream to your computer. While some have been quick to write EPIX off since they are launching on just one cable company, Verizon, deals with other providers are on the way. I've heard rumors that one of the impending deals is with DirecTV, but I have not verified that and EPIX had no comment when asked.

Some have suggested that right now, the last thing we need in the industry is another pay-TV service. That may be true, but in speaking with Emil Rensing, the Chief Digital Officer at EPIX, I've learned that the MSO has full-control on how they offer the service. Cable companies do not have to charge consumers to get access to EPIX and I would not be surprised to see some providers offer the channel for free, bundled in with their current TV packages, as a way to differinate themselves from others. It could be very similar to deals we have seen like ESPN360.com where Verizon has licensed the content and providers it to their FiOS users at no additional charge.

The other unique thing about EPIX is that right now, they are really the only ones that have the license to put all of their programming on TV, VOD and the web all at the same time. As a result of this, EPIX says they have more programming available on-demand than both Starz and HBO combined. They also make that content available to all three platforms at the same time without any window restrictions. In addition, while EPIX does not technically have a video offering yet for devices, nothing stops you from being able to watch movies on any device that has a web browser, a fast enough connection and a recent enough version of the Flash player. I'm going to have to give this a try on my PS3 over the weekend.

So far, I like everything I've seen with regards to the online portion of EPIX's offering and look forward to seeing the service evolve in the coming year. If you'd like to see the online portion of the service for yourself, I'm currently giving away 200, free 30-day trail codes.

In about two weeks, Emil Rensing, Chief Digital Officer at EPIX will be one of our keynote presenters at the Streaming Media West show. You can register for a FREE exhibits only pass and attend keynotes by EPIX, Xbox and FLO TV all for free.

Last week I received some images that showed Netflix streaming on a Wii console. I didn't run with the story at the time as I didn't know if the images were legit and it's taken me until today to confirm they are in fact real. I'm not disclosing who confirmed it for me but someone involved in the project has confirmed that Nintendo is currently in testing stages with Netflix to bring their streaming service to the Wii very soon.

What I'm hearing is that Nintendo originally planned to bring the Netflix service to the Wii before the end of this year, which still might take place, but that Nintendo is also considering holding off on the Netflix service until they release their next generation Wii HD unit in early 2010.

Note: I am not sharing any of the images I received as I don't want to burn the person who sent them to me.