How To Choose an Online Video Platform: Picking and Choosing The Right Solution

sm-west-arowsAt the Streaming Media East show, taking place May 21-22 in NYC, we have a “how to” presentation that will help attendees identify their requirements for choosing an online video platform, with a particular focus on mobile and multi-channel scenarios. Learn about the products and platforms available in the market and the strengths and weaknesses of selected major players including Brightcove, Kaltura, and Ooyala.

Theresa Regli, Principal Analyst at the Real Story Group, a firm that publishes independent vendor evaluations that help you sort out suitable technology choices for your particular needs, will give you advice on how to get to a vendor short list, submitting brief and useful RFPs, what questions need to be asked, and other tips to ensure you choose the right solution. If you’re trying to figure out which online video platform can best help you manage your content, this is the presentation to attend.

It’s not too late to get a pass to the show and readers of my blog can register using my own personal discount code of DR13, which gets you a two-day ticket to the show for only $695 and gives you access to 40 sessions and how-to presentations and 100+ speakers. You can also register for an exhibits only pass and get access to the show floor, both keynotes from CBS and ESPN and all the networking events, at no charge. #smeast

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Learn About TV Everywhere’s Innovations, Challenges and the Tools of the Trade at #smeast

sm-west-arowsTV Everywhere offers the promise of letting customers watch what they want to watch, wherever and—ideally—whenever they want to watch it. In order for TV Everywhere to take hold, MVPDs need to open up, partner, and extend their services to their customers wherever they may be. At the Streaming Media East show, taking place May 21-22 in NYC, we’ve got a session with Comast, Time Warner Cable, Samsung, ESPN and Synacor entitled “Driving TV Everywhere—Innovations, Challenges and the Tools of the Trade“.

Given technical limitations, rights limitations, and sensitivities around brand and user experience, how are MVPDs innovating around this challenge and getting comfortable with sharing their services and customer relationships? Find out what MVPDs and partners are doing to make TV Everywhere a reality, and learn about some of the experiences that are becoming available to end consumers. Confirmed speakers include:

  • Moderator: Mike Green, Senior Director, Strategy & Development, Comcast
  • Eric Hybertson, Director, Rendering Devices, Time Warner Cable
  • Glen Stone, Convergence Strategy and Standards, Samsung Electronics America
  • Damon Phillips, Vice President, WatchESPN & ESPN3
  • Michael Bishara, VP/GM TVE, Synacor

It’s not too late to get a pass to the show and readers of my blog can register using my own personal discount code of DR13, which gets you a two-day ticket to the show for only $695 and gives you access to 40 sessions and how-to presentations and 100+ speakers. You can also register for an exhibits only pass and get access to the show floor, both keynotes from CBS and ESPN and all the networking events, at no charge. #smeast

Netflix To Present The Technical History of Their Streaming Service At #smeast Show

sm-west-arowsNetflix started streaming in 2007 with an Internet Explorer plugin that hosted Windows Media Player. Today, there are more than 80 million active Netflix devices including smartphones, tablets, game consoles, and connected TV’s. At the Streaming Media East show, taking place May 21-22 in NYC, David Ronca, Manager of Encoding Tools for Netflix will present the technical history of the Netflix streaming service, looking at some of the key engineering decisions, codec and packaging, and a few key hacks. Some of topics that will be covered include Netflix’s first adaptive streaming client, their most unusual project, the BD-Live adaptive streaming client, and how Netflix developed their iPad app in just 60 days.

It’s not too late to get a pass to the show and readers of my blog can register using my own personal discount code of DR13, which gets you a two-day ticket to the show for only $695 and gives you access to 40 sessions and how-to presentations and 100+ speakers. You can also register for an exhibits only pass and get access to the show floor, both keynotes from CBS and ESPN and all the networking events, at no charge. #smeast

Damon Phillips, VP, WatchESPN & ESPN3 To Keynote Streaming Media East Conference

Screen Shot 2013-04-29 at 11.20.38 AMI’m very pleased to announced that Damon Phillips, Vice President of WatchESPN & ESPN3 will kickoff the Streaming Media East conference (#smeast), as our keynote speaker on Tuesday, May 21st. Damon will join more than 100 speakers from media, broadcast, MSO and enterprise companies discussing the latest business, content and technology subjects around online video. Register online and get admission to the keynotes and exhibition hall for free.

And it’s not too late to get a full conference pass to the show and readers of my blog can register using my own personal discount code of DR13, which gets you a two-day ticket to the show for only $695. That’s $200 off the regular ticket price and it gets you access to 35 sessions and how-to presentations, 100+ speakers and all the networking events.

Thursday Webinar: Best Practices for Multiscreen Delivery

Thursday April 25th, at 2pm ET, I’ll be moderating another StreamingMedia.com webinar on the topic of, “Best Practices for Multiscreen Delivery.” The cost and complexity of incompatible video clients and formats have made delivering feature-rich multiscreen video very challenging. This webinar provides attendees with workflow strategies and considerations for delivering video to all types of screens. Learn the best practices for creating multiscreen profiles, device detection, multiformat delivery, and customization by device type and learn about the new economics of multiscreen delivery.

Join Telestream, Limelight, Cisco, and Qumu and learn:

  • Transcoding and packaging adaptive bitrate video for multiscreen delivery
  • Optimizing image quality: bit-rate, resolution and video processing
  • How to keep your company’s story everywhere your customers are, on any device, with cloud-based tools
  • How to showcase and share your story on the latest smartphone or tablet, on any desktop or mobile browser

We’ll have a full Q&A session in which your questions will be answered and as always, all StreamingMedia.com webinars are free. So register here and save the date for this instructional webinar.

KIT Digital Inc. Will Declare Chapter 11, New Company Called Piksel Launching With Former Assets and New Funding

[Updated: I have edited the title and post to reflect that KIT Digital Inc. will be filing for chapter 11, but hasn’t officially done so yet.]

There’s been a lot of speculation about what would eventually happen with KIT Digital and finally, we now know some details on what will take place with KIT’s assets, their employees and what KIT’s new management team plans to do moving forward. Late this afternoon, KIT filed an 8-K and I had the chance to speak to KIT’s management team earlier in the day to get more details on what they have just announced. It’s a complex deal, there are a lot of moving parts and additional pieces of information aren’t being released for a few weeks, details that we need to evaluate the true value of KIT’s business going forward. These additional details will come out over time, but for now, here’s what the company is disclosing.

KIT Digital Inc., the parent holding company of the assets, has filed will file for chapter 11 bankruptcy. While some might see this as bad news, it was a move KIT had to make. Doing this allows KIT not to have to go back and worry about trying to restate earnings for the past three years and allows them to start fresh. KIT has also announced that three of the five largest shareholders will be buying back the core assets from KIT Digital Inc. and investing new money into what will become a new company, named Piksel. This is being done as a “backstop” transaction, which means the three major shareholders agree to purchase all the remaining, unsubscribed securities from KIT Digital Inc. and guaranteeing that all of the newly issued shares will be purchased, allowing the company to fulfill its fundraising requirements, as well as provide enough cash to cover any liabilities. The core assets being acquired come from five companies inside KIT and consist of Ioko 365, Polymedia, Multicast Media, Megahertz Broadcast Systems and Kewego.

KIT is not saying how much the top three shareholders (Prescott Group Capital Management, JEC Capital Partners, and Ratio Capital Partners) are investing in the new entity, or what percentage of shares they own, but will do so during the bankruptcy process. Current shareholders will be able to buy warrants in the new entity and invest in Piksel, but any stock they have in KIT won’t be converted to the new company. So KIT stock is now officially worth zero. One of the key details KIT is not yet disclosing is revenue for the company. Management said they will soon announce new financial details for KIT for the past six months, which we’ll then be able to use to see what value KIT’s management placed on the business and the assets they acquired. Without that, it’s hard to know what value KIT currently has, since we don’t know revenue, bookings, customer count etc. but once those details come out, a fair market value of the company can be realized.

Once of the reasons KIT’s board of directors is taking this path is because they feel that certain assets at KIT Digital are worth more than what anyone was willing to pay. They didn’t disclose what offers they had received from others, but felt all of them were too low. It’s hard to know the real value since we don’t yet know what Piksel’s focus will be, what products and services they will offer and how big the markets are they are selling into, but one has to imagine KIT was only offered pennies on the dollar for certain assets. No one is going to pay fair market value for anything from KIT when the company, technology and financials were in such disarray, so this new approach makes a lot of sense.

Over the past six months, KIT’s management team has streamlined the company, closed 17 office locations and cut their headcount from over 1,400 down to 800. While KIT’s management would not guarantee any more layoffs, they did say they aren’t announcing any layoffs with today’s news and believe the workforce they currently have in place is the right size for what they want to focus on within Piksel.

Because KIT’s independent committee, which was hired to find the best value for KIT, has agreed upon this being the best deal for the company, it also means that KIT’s former CEO won’t be able to make a bid for the company and try to influence shareholders, which he had been doing in the past. So KIT should be able to move through the chapter 11 process quickly, relaunch the new company, get their new brand into the market and put KIT Digital behind them. The company isn’t yet ready to showcase their new branding or website, but will do so in the coming weeks. When I asked if KIT’s current CEO Peter Heiland would become the new CEO of Piksel, management told me they had not yet decided who the best fit would be for the CEO role of the new company. The impression I got from them is that they want the best CEO they can get for the company and have not yet decided on who that will be.

While most shareholders won’t be happy with today’s news, they are all good steps that needed to be taken for the company to distance itself from the mess that was KIT Digital. It’s good for the company, employees, their customers and the industry and in order for KIT to move forward, they needed to get rid of the tarnished brand that is KIT Digital. Many of KIT’s former management is responsible for running the company into the ground, mishandling money and treating employees like crap, so the faster KIT’s new management got away from that mess, the better.

This is a step in the right direction for the company and it will be interesting to learn how much money the top shareholders have invested in the new entity and what they have valued it at, once those details are released. Hopefully it is onward and upward from here for Piksel.

Updated 10:14pm: While I wrote that KIT’s shares no longer have any value, due to the chapter 11 announcement, that could change once KIT gets through the chapter 11 process. Only current KIT shareholders are going to be able to invest in the new company and those who don’t want to make that investment, are probably going to be able to sell their shares to those who want to invest in Piksel. So if the revenue numbers KIT gives out end up being good, there may be interest from the secondary market to buy KIT shares. Hard to know what the value of those shares will be, until we have more info, but current KIT investors might get something for the shares they currently own.

Rob Gelick, SVP and GM of CBS Interactive To Keynote Streaming Media East Show

CBS-KeynoteI’m very pleased to announced that Rob Gelick, SVP and GM of Digital Platforms for CBS Interactive Entertainment will be the keynote speaker on day two of the Streaming Media East conference (#smeast), which is only five weeks away. Taking place May 21-22 at the Hilton hotel in NYC, Rob will join more than 100 speakers from media, broadcast, MSO and enterprise companies discussing the latest business, content and technology subjects around online video. Register online and get admission to the keynotes and exhibition hall for free.

And it’s not too late to get a full conference pass to the show and readers of my blog can register using my own personal discount code of DR13, which gets you a two-day ticket to the show for only $695. That’s $200 off the regular ticket price and it gets you access to 35 sessions and how-to presentations, 100+ speakers and all the networking events.