New Book Now Available: Producing Streaming Video for Multiple Screen Delivery

51n79fUR+OL._SX225_Streaming producer and compression expert Jan Ozer has just released a new book titled Producing Streaming Video for Multiple Screen Delivery. The new book is the successor to Ozer’s highly-regarded Video Compression for Flash, Apple Devices and HTML5, which has been adopted as a textbook by several colleges and universities. Published two years later, Producing Streaming Video for Multiple Screen Delivery is nearly a complete rewrite, and at 433 pages, contains nearly 70% more content than the initial book. Amazon’s currently selling it for about $35.

Jan’s book will teach you:

  • The fundamentals of video streaming and compression, including adaptive streaming and H.264 encoding, and new technologies like DASH, HTML5 and HEVC.
  • How to configure a single group of files to distribute to computers, mobile and OTT devices, and when it’s better to customize files for different target platforms.
  • How to most efficiently produce maximum quality video using tools like the Adobe Media Encoder, Apple Compressor, Sorenson Squeeze and Telestream Episode Pro.
  • How to choose an enterprise class encoder, with extensive discussions of workflow tools like Telestream Vantage and the ProMedia Workflow System from Harmonic.
  • How to choose between setting up your own streaming server or using an online video platform (OVP) and the most relevant questions to ask before choosing an OVP service provider.
  • The best technology options for producing a live event, from choosing an encoding tool or 4G delivery platform,  to choosing a streaming media server or Live Streaming Service Provider (LSSP) like Livestream or Ustream.
  • When to consider using a rich media presentation system like Sonic Foundry MediaSite or MediaPlatform WebCaster and how to choose between the available systems.
  • Which producers need to add closed captions to their streaming videos and how to do so.

If you’re not familiar with Jan, he’s been producing and encoding video since the CD-ROM days and has taught courses in video and streaming production since 1994. Jan has taught workshops and sessions at our Streaming Media conferences in NY, CA and London for more years than I can remember and has written or co-authored 16 books on digital video related topics. Jan shoots, edits and produces live webcasts, streaming media and DVDs for concerts, ballets and other events in southwest Virginia.

Jan is a true guru in this space, so if you want to learn more about producing and encoding video, get Jan’s book. You won’t be disappointed.

Sponsored by

Come Test Out More Than 50 Different Streaming Devices and OTT Video Platforms, All In One Room

Screen Shot 2013-04-01 at 10.51.58 AMWith all the smart TVs, game consoles, tablets and $99 streaming media devices in the market, the OTT world is crowded with options. Trying to figure out which box offers the best choice of content platforms, quality and cost can be confusing. That’s why for the third year in a row we’re bringing back the special “Streaming Devices Pavilion” at the Streaming Media East show (#smeast), May 21-22, letting attendees get hands-on with more 50 over-the-top (OTT) video devices and platforms, all in one room.

Want to see how Airplay works on devices? We have you covered. Interested to compare Netflix’s HD video quality on the Roku 3 vs. Apple TV? You can do that. Want to see how streaming works to 4G phones and tablets?  Come test it out. Have questions about which Over-The-Air antenna works best? Get those questions answered. Think of the Streaming Devices Pavilion as your own personal living room and put these devices to use!

The Streaming Devices Pavilion provides attendees with the opportunity to view the largest collection of over-the-top video devices and platforms that you can walk right up, experience them hands-on, and do it all for FREE. If you’ve ever wanted to compare OTT services and devices, side by side, in a real-world setting, this is the place to do it. The pavilion will be staffed by a team of device gurus who will be on hand to answer questions and we’ll also be giving away thousands of dollars in free gear.

Attendees who visit the pavilion will also receive an updated chart that gives the specs of each streaming device and lists which content platforms they support. Last year’s chart can be viewed at www.streamingmediadevices.com and this year’s chart will be updated to include all the new boxes in the market.

Devices and platforms available for testing will include the following:

  • Content Platforms: Apple, Netflix, Hulu Plus, Amazon Instant Video, HBO Go, Epix, Vudu, YouTube, Google TV, Google Play, ESPN, MLB.TV, Xbox LIVE, PlayStation Network, NHL GameCenter, NBA League Pass, Redbox Instant by Verizon, and others.
  • Streaming Devices: Apple TV, Roku 3 (all models), WD TV Live (all models), Boxee TV, D-Link MovieNite Plus, Netegar NeoTV Prime, Microsoft Xbox 360, Sony PS3, Nintendo Wii U/Wii, ASUS Qube, Hisense Pulse, Ouya, Vizio Co-Star, Seagate GoFlex TV, TiVo Premiere, Slingbox, and more.
  • Tablets: Apple iPad 3, Apple iPad Mini, Kindle Fire HD, Nook HD, Nook HD+, Nexus 7, Nexus 10, Samsung Galaxy Tab 2, Samsung Galaxy Note, Microsoft Surface, Sony Xperia, ASUS Transformer, Motorola Xoom, Acer Iconia, and others.
  • Also: A variety of TVs and Blu-ray players from Vizio, Sony, Samsung, LG, Panasonic, Sharp, Phillips, Toshiba, Magnavox, and Sylvania, as well as 4G phones from Verizon and Over-The-Air antennas from Mohu, Wineguard and others.

You can register to attend the device pavilion simply by going online and registering for a FREE exhibits pass. That’s it. It’s quick, easy, costs you nothing and you may even go home with some new gear!

2011-pavilion

And if you are a member of the media, register to attend the event and I will be happy to personally walk you through the devices and platforms, point out the strengths of each box and give you all the details to need to know to compare these devices and platforms in the market.

There is nothing like this any place else in the industry and no show allows you to get hands-on with so much hardware and content. If your company has a device you think I should add to the pavilion, reach out to me and let me know.

A big thanks to Dolby and Encoding.com for sponsoring the pavilion. We have a few sponsorship spots left, so if you want your brand on all the signs, email blasts, printed device chart and all the other places we promote the device pavilion, contact me for more details.

Cutting Through The Hype Of HEVC (H.265)

While the next-generation video compression technology, HEVC, is a hot topic, far too many people are getting caught up in non real-world use cases, like 4K, or think HEVC is going to be adopted in short order. In reality, the mainstream market is not yet ready for HEVC, it’s still a few years away, and there isn’t an ROI to be achieved from being an early adopter of HEVC. (See my post from January on this topic: HEVC (H.265) Adoption Is At Least Five Years Away For Consumer Content Services)

While HEVC probably will serve as the successor to MPEG-4, many myths surround the technology and the rate at which it will be deployed. Yesterday, my co-worker at Frost & Sullivan, digital media Industry Manager Avni Rambhia, lead a webinar discussing the current state of HEVC products and technology, and its strategic implications in the short, mid and long term for a variety of businesses. Here were some of the key takeaways:

Myth 1: UltraHD Is An Immediate Driver for HEVC

  • Higher-end profiles of HEVC are still under development
  • True 4K source material is still hard to find (VOD or live)
  • 1 or 2 flagship UltraHD channels can be fit into today’s IPTV, cable and DTH systems. A codec overhaul is neither necessary nor economical
  • 4K TV sets are still in a nascent market stage
  • Real time encoders and power-efficient decoders for 4K resolution are still a few years away
  • HDMI 2.0 is needed for the higher frame rates (40-100 fps) that many consider a fundamental aspect of 4K – this is still a year or two away
  • When HD is the new SD and UltraHD seeks to become the new HD, HEVC will be an enabler. Until then, this combination is interesting but not critical.

Reality: In the M&E space, bandwidth-limited OTT and VOD in SD and HD resolution, likely in conjunction with MPEG-DASH, is the most important short term application for HEVC.

Myth 2: MSOs Should Upgrade from MPEG-2 to HEVC
  • AVC technology is mature enough for immediate adoption, and prices have fallen considerably across the board – making this technology far more affordable than it has been in the past
  • Encoders and decoders for HEVC are significantly more expensive than AVC products. Moreover, mature, reliable and scalable compression and transmission solutions are several years away
  • It will be some years before commercial HEVC encoders can deliver compression gains that justify disruptive investments in the technology. Until then, cutting-edge AVC encoders and technologies like switched digital video offer more cost-effective ways for better bandwidth utilization
  • Today’s software-based AVC encoders can be upgraded in the field to support HEVC when the time is right, so investment is protected.

Reality: Service providers should begin to trial and test HEVC products now in preparation for potential rollout in the 2016-2018 timeframe, but AVC does offer immediate benefits in the meanwhile.

Myth 3: Many HEVC Products Will Hit The Market in 2013

  • Devil is in the details – while first-generation products are indeed being debuted in 2013, unit sales are small, content availability is minimal, revenues are uncertain, and consumer uptake remains very small
  • Many vendors, particularly vendors of encoder and decoder cores, are deeply invested in HEVC products and are either releasing or close to releasing first-generation cores in 2013. Certainly, since there are no ASIC or open source implementations of HEVC encoders and decoders as yet, companies have a significant opportunity to demonstrate expertise and breakthrough innovation in a market that is otherwise plagued by commoditization.
  • However, the end to end ecosystem is yet to fall into place for any application
Reality: Serious pilots and feasibility tests are underway, but serious, large-scale deployments are not. Applications like video conferencing and wireless OTT will be among the first to leverage HEVC, but even those will not see mainstream adoption before late 2014.

Conclusion: Key Take-Aways and Recommendations
  • HEVC is a promising technology, but will take at least 6-8 years to mature – just as AVC is only now hitting its stride, nearly a decade after the standard was finalized
  • Large footprints of legacy MPEG-2 and AVC equipment and limited maturity of HEVC products will hinder short term uptake
  • Encoder and decoder vendors (hardware and software) are in the thick of the battle to innovate and deliver real time, power-efficient solutions to the market
  • Vendors of other components in the end to end value chain need to be innovating now to incorporate HEVC into their product roadmaps
  • Service providers, on the other hand, need to carefully evaluate all options available to them for optimizing bandwidth, and develop an ROI-centric strategy to adopt and deploy HEVC.

We’ve done a lot of work at Frost & Sullivan on the topic of HEVC and in addition to three reports Avni Rambhia has already publish, we’ve done a lot of private research on HEVC for clients. If you’re looking to get more details on HEVC technology, get copies of our reports, or need any custom research on the HEVC market, please feel free to reach out to me for more details.

The Media Calls Aereo “Disruptive” To Cable TV Because They Care About Headlines, Not Business Metrics

I don’t know what it is about Aereo’s streaming service that makes so many members of the media herald it as such a big “disruptor” to cable TV, but it seems a week doesn’t go by with yet another blog post praising Aereo as a cable TV “killer”, without any actual metrics or data to back it up. Last night I was reading a post on Gigaom about Aereo’s streaming service and like many in the media, the author implies that Aereo is impacting the current cable TV business – yet provides no data of any kind to prove the point. The post called Aereo’s court ruling from yesterday as the “biggest blow yet to the existing TV business,” which in reality, is simple not the case.

In the past Gigaom has called Aereo, “one of the most disruptive forces in television today.” Really? Disruptive? Based on what metric? Just because a company gets sued by the broadcasters doesn’t make their service/business “disruptive”. Aereo has done nothing to show they can compete in this market, with any large number of subscribers, yet the media still wants to hype it. And Gigaom’s not the only one guilty of that.

It’s clear that talking or blogging about cable TV is a touchy subject with many because as a general rule, people don’t like how much they spend on cable TV each month. No one can blame them as no one likes to spend money, but talking about how much your cable bill is is like talking about taxes. No one likes paying them, but the vast majority of people pay their taxes and also continue to pay for cable TV each month. In the U.S. alone, there are more than 100 million households that pay for monthly cable/satellite TV programming. And while reports predict that number could drop to around 96 million by 2017, losing 1% of your market per year is no threat. Especially since we’ve seen these numbers predicted before and they’ve never been right. But touchy subject or not, the media has a responsibility to compare video content distribution services fairly, accurately and from a real apples-to-apples standpoint, which rarely happens when they talk about Aereo.

Whenever I write about Aereo, people always comment that we know Aereo is “disruptive” simply due to the fact that they are being sued by the major broadcasters. But the point they are missing is that the broadcasters aren’t suing Aereo because they are scared of the company, they are scared of the idea and precedent it could set. Aereo doesn’t have the means to disrupt cable TV, but in the hands of some like Amazon, it could cause a threat. I’m not saying Amazon is getting into that business, but if Aereo gets away with it, what happens if someone like an Amazon, who actually has the means and resources to disrupt markets, takes Aereo’s idea and runs with it? Companies don’t threaten the traditional cable TV business, ideas do. For years we heard that Netflix was going to disrupt cable TV, yet years later we know that didn’t happen. In reality, most services never replace one another, it’s simply a complement to it, just as we have seen with Netflix.

I’ve been very vocal that Aereo’s business model is dead because the fact is, not a large enough percentage of cable TV subscribers want a limited service like Aereo’s. Some argue that to date, Aereo’s only been available in the NYC market and is just now being rolled out to multiple cities, so we have to wait to see what the demand is, but that’s not a valid argument. NYC has one of the most dense population of potential consumers around, yet the service has so few users Aereo won’t even go on record to say how many. They won’t talk adoption rates, the number of hours of video being consumed or any kind of user metrics. Rolling the service out to additional cities only means they will burn through more money which will keep them from having a profitable business on a service that averages $10 a month. They only way to have any chance at making such a low-cost service work, and turn into a profitable business, is to sign up subscribers in huge volume, like Netflix has done. But Aereo won’t be able to do that, because as Netflix has taught us, consumers want choice, a large catalog of content, wide device support, and high-quality video. Aereo doesn’t have any of those.

The argument people will come back to me with is that this all takes time, the technology and Aereo’s service is new, streaming media users are now a younger generation and I have to “give it a few years” to work out. The problem is, every five years these people say the same thing, “give it a few years”. As an industry, many have been talking about streaming media services disrupting cable TV since 2000 and to date, it hasn’t happened. Cable TV providers make more profits now than ever before. And even with all the new devices and the changing landscape of how content is consumed, these cable/satellite providers have found a way to continue to still make a lot of money. That’s not going to change. Whether they charge more for Internet only or charge consumers more for dropping the TV portion of their bill, the MSOs are in control. Say all you want about Aereo, Netflix, YouTube or anyone else, but they are not taking any large share of revenue away from the pay TV providers.

When multicasting was first deployed, people were sure it was going to replace cable TV as the main distribution medium for video. Then when the Apple TV streaming box came out, Apple’s hardware and iTunes was supposedly going to kill cable. When Netflix got big, we heard that was going to create a lot of cord cutters. Then it was the non-existent all-in-one Apple TV that we have been hearing about for years, that was going to disrupt the cable TV business. Now, supposedly Aereo is challenging the MSOs. Every time something new comes out, the media proclaims one thing will kill off the other when usually it’s a complement to it, not a replacement for it. It’s one of the biggest reasons why members of the media don’t use numbers when they talk about these services/platforms/devices. We see services compared every day to one another, yet 99% of the time, the author never says how many are sold, used, adopted or consumed when compared to the service it’s supposedly going to kill off. It easier for them to create panic and foster the idea of disruption, when in fact, the adoption numbers prove otherwise.

Also, post after post comes out talking about Aereo’s service, but in most cases, you can tell these writers haven’t even tried the service out for themselves. Few have, but most haven’t. Why don’t they mention how few channels Aereo has? How few devices they are on? The lack of Android support? The limit on the video quality? Or how when you turn on your TV it works, but many times, Aereo doesn’t. Where are the details? Where are the adoption numbers? The metrics? Why is this industry ok with comparing one service to another without looking at the real, tangible data that every business has, which dictates what the adoption really is and how the business is doing? For many, it’s easier to write something more vague, generic and imply disruption because they think it’s a good story to read. In reality, the good story is one that exposes the weakness of any product or service that is supposed to be a disruptor so that you can see if there are any faults in the service or technology. Because if there isn’t, then that’s the story. Then you have something real. But without that, it’s all fluff.

It’s really easy to say service A is better than service B, anyone can do that. But when the person saying it doesn’t use the service, doesn’t know how it really works and doesn’t know the weakness of the service, it’s not a valid argument. So all we keep hearing many in the media say is that Aereo will or is “disrupting” cable TV. Based on what metrics? Content choice? No. Video quality? No. Device support? No. Revenue generation? No. Profitability? No. Look at the service for what it is today, not what some think/hope/predict it can or should be years from now.

The biggest disruptor to cable TV isn’t Aereo, Netflix or some other content service. The biggest disruptor to cable TV is themselves and the content owners who continue to raise their content licensing rates to the MSOs. At some point, cable TV operators will lose subscribers if they continue to raise rates every year like clockwork. And if they don’t learn and don’t realize that consumers are only willing to pay so much, then they will lose subscribers over time. And while streaming media content services like Aereo, Netflix, Amazon or others would pick up new users as a result, they aren’t the ones who have caused the disruption, their businesses would grow as a byproduct of the cable TV companies being too greedy.

This industry already has too much hype in it, expectations are being set wrong and far too many bloggers are writing about products and services they have never even used. In the past, I’ve written about how Aereo’s service has worked for me, but I will have a full, in-depth review online in the next few days, after having used the service for the past four months.

And for those who are going to write in the comments section that I am wrong because they have cut the cord, that’s great it worked for you, but you are the minority, not the majority.

My other Aereo posts:

Aereo Announces More Funding, For A Service No One Really Wants (Jan. 2013)

Aereo Has Less Than 2,000 Customers, No Shot At Surviving (Aug. 2012)

Barry Diller’s OTT Service Aereo Is Dead On Arrival (Feb. 2012)

Want To Speak About Video? Few Spots Still Open At Streaming Media East

The program for the 2013 Streaming Media East show (#smeast) taking place May 21-22, at the Hilton hotel is NYC is nearly complete and we have an awesome list of speakers and presenters lined up. But if you missed the call for speakers deadline, you’re in luck as a few speaking spots still remain. I have one spot left on each of the eight round-table panels below. If you are interested in speaking on a session, reach out to me ASAP. If you wait until after you get back from NAB, it will be too late. All submissions, from all companies welcomed. If you have any questions, you can always call me anytime at 917-523-4562.

Session topics available:

  • Creating OTT Apps For Connected Devices
  • Designing Content Services For The OTT Revolution
  • Driving TV Everywhere—Innovations, Challenges and the Tools of the Trade
  • Using Cloud-Based Video Services For The Enterprise
  • Integrating Streaming, Videoconferencing, and Unified Communications Solutions
  • Best Practices for Building an Enterprise Content Delivery Network
  • Monetizing Video Opportunities in Education
  • The Future of Digital Entertainment in a Multiscreen World

Tuesday, May 21, 2013
Creating OTT Apps For Connected Devices
Today’s content services must contend with a playback environment comprised of hundreds of different device platforms, many of which require different technology frameworks and development approaches. This session will outline what is happening with various UI technologies including Flash, HTML5, and Webkit, and detail what silicon vendors are doing to aid support for premium content services. Attendees will also learn about platform SDKs and what is required for content owners to deliver their services to connected devices.

Tuesday, May 21, 2013
Designing Content Services For The OTT Revolution
Broadcasters design their OTT distribution platforms considering many different factors, some of which can conflict with one another. Designing a product that both appeals to customers and enhances the offering can be constrained by budget, technical limitations, a fluctuating consumer device market, and existing licensing agreements and partnerships. This session will explore how some of the most notable content owners in the industry are looking to satisfy the desires of consumers as they successfully deliver their product through non-traditional distribution.

Tuesday, May 21, 2013
Driving TV Everywhere—Innovations, Challenges and the Tools of the Trade
TV Everywhere offers the promise of letting customers watch what they want to watch, wherever and—ideally—whenever they want to watch it. In order for TV Everywhere to take hold, MVPDs need to open up, partner, and extend their services to their customers wherever they may be. Given technical limitations, rights limitations, and sensitivities around brand and user experience, how are MVPDs innovating around this challenge and getting comfortable with sharing their services and customer relationships? Find out what MVPDs and partners are doing to make TV Everywhere a reality, and learn about some of the experiences that are becoming available to end consumers.

Tuesday, May 21, 2013
Using Cloud-Based Video Services For The Enterprise
It seems all you hear these days is about public, private, and hybrid clouds. Are cloud services applicable for enterprise video as well? This session will discuss the deployment options for cloud-based services for enterprise video with a focus on two primary methods of moving services to the cloud—encoding in the cloud and media management in the cloud. The session will address many questions around cloud-based enterprise services, including bandwidth concerns, pricing, and security. If you are considering moving to the cloud, this is a must attend session.

Tuesday, May 21, 2013
Integrating Streaming, Videoconferencing, and Unified Communications Solutions
Learn how organizations leverage existing videoconferencing infrastructure as a production studio when integrated with a video streaming system, as well as how videoconferencing allows presenters in multiple locations to participate jointly in webcasts. Finally, learn how this is all good news to those implementing streaming solutions, because now they can be budgeted as part of a larger video communications budget.

Wednesday, May 22, 2013
Best Practices for Building an Enterprise Content Delivery Network
In today’s enterprise business environment, delivering video across the network requires choosing the right technology and strategy. This session will give you the scoop on how to create robust and scalable video delivery strategies for your corporation. Learn the factors that need to be analyzed, the key variables that determine your network requirements, and how to best deploy and manage such a solution.

Wednesday, May 22, 2013
Monetizing Video Opportunities in Education
The exponential growth of smartphones and tablets is increasing the pressure in academia to offer more learning options online via the use of video. But only a handful of universities have implemented a comprehensive video strategy. This session will discuss how to use live streaming to attract part-time and international students as well as renowned faculty and guest speakers. While most academic executives and deans only analyze video from a dollars and cents perspective, this session will discuss ideas on how to incorporate it from a strategic standpoint.

Wednesday, May 22, 2013
The Future of Digital Entertainment in a Multiscreen World
In the last five years, the advent of an ‘always-on, perpetually-connected’ culture has fundamentally altered the face of media products. As this evolution accelerates, what will premium media products look like in 2018? With a panel extending across media domains – sports, broadcast, film, cable programming, and social platforms – we will explore the evolution of data-driven product and distribution strategy for marquis media brands, including insight on the operational challenges associated with realizing an application-driven future that actively responds to a direct connection with individual audience members.

Thank You Readers: Six Years Later, And I’m Still Blogging

Almost six years to the day, I started this blog with the goal of sharing information with other industry insiders and writing about topics not being covered or detailed by the mainstream outlets. My desire has always been to showcase streaming media products and services in the right light and set the proper expectations regarding the streaming media industry, with a focus on the business behind the technology. Little did I know that my blog would turn into a full-time job and that six years later, I ‘d still have so many readers who have an interest in what I have to say.

None of that has been lost on me. My blog still exists because of you and the numerous companies who have or continue to sponsor the blog and the vendors who help me with stories, pitch me topics to write about and help me with data. I have all of you to thank. Even if you haven’t always agreed with what I thought, many readers have made the effort to let me know why and turned the blog into a real discussion outlet, with over 10,000 comments left to date. In turn, those comments help us all and allow others besides me to inform, educate and empower others.

As a one-man show, I have no editor, and I’ll be the first to admit that my grammar needs work. But that’s been the beauty of the blog, with readers accepting what I write even though it’s not always the most polished. But by now, most know that’s how I write and talk about the industry, without sugar-coating anything and trying to keep it practical and real-world at all times. With the blog averaging 100,000 page views a month, none of that would be possible without loyal readers, who in my mind, are the ones who have made the blog successful.

Thank you for your support over the years and remember that I take my responsibility to the industry very seriously. I answer all calls. I accept all briefing requests. I return all emails and messages. And I’m always available via email or my cell (917-523-4562) to answer any questions or connect you with people smarter than me. If there is anything I can do to assist you or your company in the use, adoption, or understanding of streaming media technology, at any time, please don’t hesitate to reach out to me.

Thank you for your continued interest and support of the blog.

Tuesday Analyst Webinar: HEVC, The Next-Generation Video Compression Technology

imagesOn Tuesday at 1pm ET, my co-worker at Frost & Sullivan, digital media Industry Manager Avni Rambhia, will lead a short webinar on the topic of HEVC. She has recently completed an extensive analysis on the High-Efficiency Video Coding (HEVC) market and will share these findings, followed by a live question-and-answer session. You can register for the event for free and learn all about this next-generation video compression technology

Why You Should Attend:

  • Learn about HEVC technology and applications where it is making immediate inroads
  • Identify the drivers and restraints for development of HEVC productions and rollout of HEVC-powered services
  • Separate hype from substance and be equipped to realistically account for HEVC in your product or service roadmap

This briefing will discuss the current state of HEVC products and technology, and its strategic implications in the short, mid and long term for a variety of businesses. Bring your questions!