A List of the Top 10 Largest Live Streaming Events in History and How They Are Measured

[Updated Jan 15, 2024] It has been three decades since some of the first live events were streamed online in 1993, starting with audio-only events suited for dial-up users. Since the streaming media industry started, many have continued to debate which online event has had the largest total viewership. In all honesty, no one truly knows what the largest event is since it’s impossible to fairly compare one event to another using the same methodology. No standards for reporting viewership exist, and almost no live-streaming events are validated by a third party. Details around unique viewers, average bitrate, and device usage are never released.

The title of the largest live streaming event on the Internet changes depending on the methodology used by the individual. To date, Disney’s stream of the India-Pakistan ICC Cricket World Cup match on October 14, 2023, on their Disney + Hotstar platform had the largest number of “concurrent viewers” at 35 million. However, no average bitrate number was released by Disney nor was any data about the average viewing time. The previous record of 32 million “concurrent peak viewers” in 2023 by JioCinema of the IPL finals match had an average bitrate of around 1Mbps. I would expect Disney’s stream for the ICC to be similar in size. Live streaming events by Amazon and others have done almost half as many peak viewers, but the average bitrate was much higher than Disney or IPL’s at around 7Mbps. So, while one event had a larger audience, the other had a larger number of Tbps sustained and was delivered at a much higher quality.

Another problem in comparing streaming events is that none of the companies involved will discuss their definition of a “viewer.” For instance, with Amazon’s Thursday Night Football games, the video auto-plays in the background on the home screen of Fire TV devices and their website. If users don’t click on the video and engage with it at all, are they still considered viewers? Does a viewer have to watch the video for a certain length before being counted? We don’t know since none of the companies that stream live events will answer these questions, and their metrics could all be different. For example, in 2020, Netflix changed the metric they used to classify a VOD viewer from anyone who watched 70% of a title down to anyone who watched at least 2 minutes of a video, long or short form. That’s a big difference and a significant change. On TV, we have agreed upon viewer metrics and standards, but with streaming, neither exists. We also have different third-party companies releasing data, for instance, Nielsen and Adobe, with different methodologies.

It also doesn’t help that many in the industry and the media incorrectly report numbers and don’t take the time to read the numbers given out properly. For example, in 2022, NBC Sports said the 11.2 million AMA number reported for the 2022 Super Bowl was not comparable to the 2021 Super Bowl or Amazon’s numbers from the 2022 TNF games. The 11.2 million was a viewers-per-stream figure and is not directly comparable to past years when co-viewing was not as prevalent. NBC Sports said the figure comparable to past years was the 6 million number released, which marked a 5% increase over the 2021 Super Bowl of 5.7 million. Out-of-home viewing and streaming did not factor into the household rating. And yet almost no one in the media picked up on that and reported it accurately, giving out wrong year-over-year growth numbers.

Many want to compare the popularity of live streaming events on the internet to viewership numbers of events on cable TV but are missing the point that you can’t compare the two from a quality of experience (QoE) standpoint. No matter where a viewer is in the country when watching an NFL game on pay TV or which pay TV provider they use, everyone gets the same video quality and experience. Broadcast TV has standards for video delivery, and the pay TV provider owns the hardware in the home. With pay TV, we all know what 720p or 1080p means and looks like. With streaming, no standards exist for video quality or type of streaming device, and users around the country all get a different level of video experience. One viewer on pay TV does not always have the same level of video experience as one viewer via a streaming service.

Based on the numbers I have seen released, below is my list of the top ten largest live streaming events in the industry to date. Nearly all of them are tied to cricket matches, NFL Football, and League Of Legends gaming. Many gaming events are broadcast in over a dozen languages by multiple broadcasters across dozens of platforms. It’s not the same distribution as Amazon’s Thursday Night Football games, which are only available in US territories, or cricket matches that are only available on a single streaming platform, so that’s another variable to point out. I may have missed some numbers released so please leave a comment on this LinkedIn post if you think another event should be added. The comment must include a link to a release, blog post, or article with numbers to be considered. I will update this list as more events take place and more numbers are announced.

  1. 59 Million: The cricket World Cup 2023 final match on November 19, 2023, hit a “concurrent viewers” peak of 59 million on the Disney+ Hotstar platform, according to Disney. (source)
  2. 53 Million: The CC ODI World Cup 2023 semi-final match between India and New Zealand on November 15, 2023, hit a “concurrent viewers” peak of 53 million on the Disney+ Hotstar platform, according to Disney. (source)
  3. 43 Million: The ICC Men’s Cricket World Cup 2023 match between India and New Zealand on Oct 22, 2023, hit a “concurrent viewers” peak of 43 million on the Disney+ Hotstar platform, according to Disney. (source)
  4. 35 Million: The India-Pakistan match of the ICC Cricket World Cup played on October 14, 2023, hit a peak of 35 million “concurrent” viewers on the Disney+ Hotstar platform, according to Disney. (source)
  5. 32 Million: The May 2023 JioCinema stream of the IPL finals match had 32 million “concurrent peak viewers” as reported by the rights holder Viacom18. (source)
  6. 30.6 Million: Riot Games announced that the 2021 finals between DWG Kia from South Korea and Edward Game from China drew an average minute audience of 30.6 million viewers. (source)
  7. 25.3 Million: The semi-final match between India and New Zealand during the 2019 ICC Cricket World Cup had a peak concurrency of 25.3 million viewers on Disney+ Hotstar as reported by the ICC. (source)
  8. 24.5 Million: The May 2018 League Of Legends final peaked at just over 24.5 million simultaneous streams which was reported by ESC. (source)
  9. 24 Million: Chennai Super Kings’ victory over Royal Challengers Bangalore in April 2023 was watched by a peak concurrent audience of 24 million users as reported by the rights holder Viacom18. (source)
  10. 18.6 Million: In 2019 Akamai reported that the twelfth edition of the VIVO IPL cricket tournament peaked at 18.6 million concurrent viewers. (source)
  11. 16.3 Million: (***with a BIG caveat and maybe should not be on the list): Nielsen says the NFL Wild Card game of the Chiefs and Dolphins on January13th, 2024, had an AMA of approximately 23 million viewers across Peacock, NBC stations in Miami and Kansas City, and on mobile with NFL+. But that number includes TV in two local markets. So the number I am using for this list is the 16.3 million concurrent devices for Peacock. However, the 16.3 million number does not include viewers who streamed the game via NFL+ and vMVPDs like YouTube TV. So the total number would be a little higher, and NBC Sports used the term concurrent devices, not AMA for Peacock, so it’s not a perfect apples-to-apples comparison to data from other events. (source)
  12. 16 Million: Viacom18 reported that the April 2023 opening weekend of the Indian Premier League (IPL) on Jio Cinema had a simultaneous stream count of 16 million viewers. (source)
  13. 15 Million (***with a BIG caveat and maybe should not be on the list): Amazon reported that the NFL Thursday Night Football game between the Vikings and Eagles on September 14, 2023, had 15.1 million “viewers on Prime Video”. Amazon also reported that the NFL Thursday Night Football game between the Giants and the 49ers on September 21st, 2023, had 12.48 million streaming “viewers”. But note they did NOT say simultaneous users or average minute audience, just viewers, with no definition of how a viewer is defined. Also, they said that number was across “Prime Video, Twitch, and NFL+,” so that’s not concurrent streams on one platform. Due to this reason, I am not including any other Amazon TNF games on the list. (source)
  14. 11 Million: JioCinema says the World Cup final between Argentina and France in December 2022, attracted 11 million concurrent users on JioCinema with an average viewing time of 30 minutes per match. (source)
  15. 10.3 Million: On May 27th, 2018, Hotstar’s live stream of the 11th edition of the Indian Premier League cricket tournament had its stream peak at 10.3M simultaneous viewers. (source)

Other notable mentions include the ISRO, the Indian Space Research Organization, live streaming the soft landing of Chandrayaan-3 on the South Polar lunar surface in August 2023 which peaked at 8 million concurrent viewers. Some might wonder why events like the World Cup and Super Bowl don’t dominate the list because most viewers watch those events on pay TV. Fox said the 2023 Super Bowl was the most-streamed Super Bowl event ever, with an average of 7 million streams. For FOX’s streaming of the 2022 World Cup, the most-streamed contest was the World Cup Final between France and Argentina with an average minute audience of 1.3 million viewers. Outside the US the numbers are larger, but the majority of the World Cup is viewed on TV, which you can see a breakdown of here for the 2022 World Cup in Qatar.

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Executive Interview: The Complex Road Ahead for Ad Measurement Data and Metrics

For my latest “Executive Interview” podcast, I sat down with Diane Strutner, CEO of Datazoom, for a detailed discussion on the current state of advertising data and the complex road ahead as inventory moves to digital and CTV. We discuss the seismic industry shift from siloed to a converged currency models, and the ensuing challenges in valuing digital and streaming ad impressions. Learn the crucial distinctions between accreditation and certification, particularly in relation to how they relate to audience measurement, and the impact on advertisers.

The conversation takes a turn towards transparency, or lack thereof, in Nielsen’s methodology and their conspicuous absence from new industry initiatives and committees. Diane emphasizes understanding true ROI, and the inherent risks of decision-making without adequate revenue insights, and the lack of data that is behind enormous funding decisions, and publishing and media & entertainment’s push for profitability. You can listen to the interview here.

Episode 72: Exploring Apple’s Formula One Bid; Candle Media’s Poor Revenue Forecast; Taylor Swift’s Media Domination

Podcast episode 72 is live. This week we detail the language in the new terms announced by the WGA in their deal with the studios (AMPTA) that have come as a result of the writers strike. The new deal provides no real transparency into viewership numbers outside of total hours streamed and only for self-produced high budget streaming programs. We also discuss Amazon’s news that starting in early 2024 Prime Video shows and movies will include limited advertisements. Finally, we provide some details on the recent ruling from a German court that Netflix is infringing on Broadcom’s video patent related to HEVC.

Episode 71: No Viewership Transparency Included in The WGA Deal Terms; Court Rules Netflix Infringed on Broadcom’s HEVC Patent


Podcast episode 71 is live. This week we detail the language in the new terms announced by the WGA in their deal with the studios (AMPTA) that have come as a result of the writers strike. The new deal provides no real transparency into viewership numbers outside of total hours streamed and only for self-produced high budget streaming programs. We also discuss Amazon’s news that starting in early 2024 Prime Video shows and movies will include limited advertisements. Finally, we provide some details on the recent ruling from a German court that Netflix is infringing on Broadcom’s video patent related to HEVC.

Budget Constraints, Longer Sales Cycles, and Higher Funding Costs Are Not Going Away

Since IBC ended, I’ve seen multiple posts by attendees on LinkedIn commenting how the biggest theme they heard at the show was that customer’s budgets are smaller, sales cycles are taking longer, companies are spending more time evaluating products and services, and CFOs are having more say in the money that is spent.

Many at the show seemed surprised by these observations and are calling this a trend. It is important to understand that this is not a “trend”. It is the new norm and has been for some time. Doing more with less is the new standard. Anyone who doesn’t realize this has not been watching what’s been going on in the market for at least the last 18 months. We’ve seen companies talk about how they’re reducing the highest tiers in their encoding ladders and consolidating compute and storage costs. Every piece of the streaming ecosystem, from glass to glass, companies are looking to do more with less. Listen to my podcast from last month, Episode 70, where I talk about this in more detail.

Even on the content side, we’re seeing companies remove titles from their catalog and be more selective in what they produce and license. So if you haven’t already adjusted to this reality, you better do it fast, because this new way of doing business is not going away anytime soon. I think it’s important for everyone to understand the outside factors that influence the economic conditions of business in general, no matter what industry you’re in.

On Wednesday, September 20th, the Fed left the interest rates unchanged but didn’t rule out a rate hike in November. Due to the 11 other raises the Fed has already done, the cost of capital required to do business, to expand, has gone higher. The Fed said they don’t expect to cut rates next year by as much as they thought they would. They now see the federal funds rate at 5.1% by the end of next year, which is up from 4.6%. So the key takeaway is higher rates for longer periods.

Why is that important to our industry and every other industry? If rates were lowered, those lower interest rates would be a boost to many businesses’ profits as they can obtain capital with cheaper financing and make investments in their operations for a much lower cost. And that’s a really big deal when it comes to growing a business, expanding into new markets, offering more products and services, and not having to do layoffs to cut costs quickly. One company I know that just raised over $100 million, I’m not going to say who they are, but they have a 15% coupon.

If you don’t know what that means, a 15% coupon rate is the fixed annual rate at which guaranteed income security, which is typically a bond, pays its holder or owner. That is a very high rate, at least double, compared to just a few years ago. All individuals, no matter who they work for, have to understand what is driving the industry from an economic standpoint. If you’re back from IBC and you’re shocked that sales cycles are taking longer and budgets are tighter, you need to do a better job of reading what’s going on in the space and what’s going on in the overall economic business climate. That climate has a direct impact on all of our jobs. Who’s hiring, who has to lay people off, who can afford to pay bonuses, do matching 401Ks, etc. is all impacted by economic conditions.

Everyone has seen the layoffs that Disney has done over the past 12 months and with all the money they have lost in their DTC business, no one would be surprised. But even Netflix, who has projected they will have at least $5 billion in free cash flow this year, did two rounds of layoffs. Even a company as profitable as Netflix has to cut costs. At the end of Q2, Netflix had $8.6 billion in cash and short term investments. Their gross debt stood at $14.5 billion and they paid $174.8 million in interest during the the quarter, which annualizes to about $700 million. Netflix has plenty of cash to pay their interest but still needs to save money where it could.

Doing more with less is the new standard and that is not going to change in 2024. If you haven’t adjusted to the new reality in the market, you need to. The current economic conditions tied to lending money, market caps, stock prices, and profit and loss are the new metrics being used by companies to make decisions on how they stabilize, grow, or in some cases simply try and survive the current economic climate.

Episode 69: NFL Streaming Kickoff: Detailing How YouTube, ESPN, Peacock, Amazon and Xfinity Did With Opening Weekend


Podcast episode 69 is live. This week I recap the opening weekend of the NFL season reviewing streaming services across YouTube (NFL Sunday Ticket), ESPN (Monday Night Football), Amazon, (Thursday Night Football), and Peacock (Sunday Night Football). I document why YouTube came out on top, the problems Amazon and Peacock had, and the complete outages that took place on Xfinity and Shaw.

Disney, Netflix, Paramount, Fubo, Vevo and Others Headline the Streaming Summit Event

From the business of FAST, to the latest in ad tech, encoding workflows and delivering live events at scale, we’ve got a great lineup of speakers for the Streaming Summit at NAB Show New York, October 24-25. You can check out the entire conference program online and I will be adding another 10-15 speakers to the website.

👉 Jeremy Helfand and Jamie Power from Disney discussing the latest in the ad tech stack and the needs of global marketers
👉 Nick Krzemienski from Fubo and Nishant S. at Paramount discussing the best practices for delivering live video events at scale
👉 Hedvig Arnet at Vevo discussing the latest monetization and viewer engagement strategies for FAST services
👉 Sujana Sooreddy from Netflix leading a panel on transcoding architectures, technologies, and best practices

Please contact me if you would like a discount code to register for the event! #streamingmedia #streamingsummit #nabshowNY #SVOD #AVOD #paytv #cordcutting