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Level 3 and Verizon Sign Interconnect Agreement: Agree To Share Cost Of Network Upgrades

Last week Verizon and Level 3 announced they had entered into a long-term interconnection agreement where both companies have agreed to share the cost to add additional capacity between their networks. Unlike Netflix and Cogent who think there should be no cost to them, Level 3 has always agreed that there is a direct cost of adding capacity on each side and that both parties should share in those upgrade costs. This is the same model Level 3 used when they signed their deal with Comcast a few years back and shows that when two companies both think rationally, a mutually beneficial agreement can be worked out between them without the need for any oversight or regulation from our government.

While I am not going to get into contract numbers, the price Level 3 is paying is extremely affordable, is one they are happy with and is locked in for a very long period of time. This is how interconnection deals between networks have historically worked and that model won’t change, even with Netflix and Cogent’s complaints. Apple, Microsoft, eBay, Facebook, Google, Amazon, Pandora, Twitch and many others have all negotiated interconnection deals with ISPs, where both sides agree how they share in the cost for upgrades. These types of mutually beneficial agreements have been going on in the U.S. for a decade and benefits the content owner, network operator, ISP and most importantly – the consumer.

Expect to see more interconnection agreements announced by multiple providers in the coming weeks.

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Tuesday Webinar – Challenges Associated With Defending Cyber Threats

Tuesday at 1pm ET, I’ll be moderating a StreamingMedia.com webinar on the topic of Cybersecurity. This free webinar will discuss the threat landscape, rising costs, and other challenges associated with defending cyber threats. Recent security hackings and DDoS attacks have greatly impacted business operations in the Media and Entertainment world and technology alone is not the answer. Hear how strong cybersecurity measures, in many ways, has as much to do with process and actionable threat intelligence as it does with technology. Join speakers from Level 3 and Intel Security and bring your questions for te Q&A portion of the event.

Streaming Vendor News Recap For The Week Of April 20th

Get Hands-On With Sling TV, HBO Now, PlayStation Vue – May 12/13 in NYC

pavilionAt the Streaming Media East show next month, attendees can come test out every OTT video platform in the market, across 8 smart TVs and 25 streaming media boxes and tablets, all for free at our Streaming Devices Pavilion. See new services in action from Sling TV, HBO Now, PlayStation Vue and test out 4K streaming from Amazon and Netflix on the latest TVs from Sony and Vizio.

Devices and content services on display will include:

  • Amazon Fire TV/Stick
  • Amazon Fire HDX
  • Apple TV
  • Apple iPad Air
  • Google Chromecast
  • Google Nexus Player
  • Google Nexus 9
  • LG Smart TV
  • Microsoft Xbox One/360
  • Microsoft Surface Pro
  • Nintendo Wii U
  • Roku 3/Stick
  • Samsung Galaxy Tab
  • Samsung Smart TV (4K)
  • Sharp Smart TV
  • Slingbox 500/M1
  • Sony PlayStation 4/3
  • Sony Smart TV (4K)
  • TCL Smart TV (Roku TV)
  • TiVo Roamio/Mini
  • Vizio Smart TV (4K)
  • Amazon Instant Video
  • Apple iTunes
  • CBS All Access
  • Epix
  • Google Play/YouTube
  • HBO Go/Now
  • Hulu Plus
  • MLB.TV
  • MLS Live
  • NBA League Pass
  • Netflix
  • NFL Now
  • NHL GameCenter Live
  • Plex
  • Showtime Anytime
  • Sling TV
  • Sony PlayStation Vue
  • Vudu
  • WatchESPN
  • WWE Network
  • Xbox Video

If you’ve ever wanted to compare OTT services and devices, side by side, in a real-world setting, the Streaming Media East show is the place to do it. Attendees who visit the pavilion, which is sponsored by Plex, will also receive an updated chart that gives the specs of each streaming device and lists which content platforms they support. Last year’s chart can be viewed at www.streamingmediadevices.com and will be updated on May 12th.

Register online for a free exhibits pass using code DR100 and come get hands-on with the latest OTT offerings in the market.

Twitter’s Head of Social TV Strategy To Keynote Streaming Media East Show

Screen Shot 2015-04-20 at 12.38.27 PMWe’re excited to announce that Marc Heedt, Twitter’s Head of Social TV Strategy in the US will kick off the Streaming Media East show (#smeast) on May 12th at 9am. Whether coming from brands, consumers, media or a celebrity, the best live content is discoverable by everyone, everywhere on Twitter. Tweeting along with your favorite TV program has become integral to the television consumption experience and now with multiple video formats the experience gets even better. Marc will share some of the latest trends on Twitter, from short-form video, instant replays and trending must-see TV clips, to live broadcasting with Periscope. Access to Mark’s keynote is free if you register online using promo code DR100.

Streaming Vendor News Recap For The Week Of April 6th

Here’s a recap of all the announcements from streaming media vendors that I saw for the week of April 6th. Lots of news to come next week at NAB. I’ll have a special NAB news round-up each day next week.

New HEVC Patent Pool Launches Creating Confusion & Uncertainly In The Market

Last month, a new group named HEVC Advance announced the formation of a new HEVC patent pool, with the goal of compiling over 500 patents pertaining to HEVC technology. Some were surprised by the announcement since MPEG LA already offers licensing for HEVC patents, but it’s not unusual for multiple patent pools to emerge. Philips and Mitsubishi have some essential patents and aren’t currently in the MPEG LA pool, so there was always the option that another HEVC pool might be formed.

What caught people off guard and what I don’t like about HEVC Advance’s approach is their lack of concrete details and clarity of their intentions. In a call with a company spokesperson who works at GE, one of the backers of the pool, they would not give me any details on what patents they have, what the licensing terms are or which HEVC applications they might impact. The company also took a shot at MPEG LA telling me that some patent holders wanted an alternative to MPEG LA, but wouldn’t tell me why, or what alternative HEVC Advance offers. In their press release, they say their initial list of companies in the pool are, “expected to include GE, Technicolor, Dolby, Philips, and Mitsubishi Electric” but didn’t break out which patents they each hold and would not share patent numbers with me.

The company has said they will have more details to share in the coming months, yet they acknowledge that the patents have not gone through an independent patent evaluation process. Essential patent evaluation generally works by having an evaluator compare claims in a patent with the applicable (HEVC) standard specification and if one or more claims is necessarily infringed in connection with use or implementation of/reads on the standard, then that patent claim is determined to be essential. A new patent pool should have that completed and in place, before announcing in the market. Immature licensing programs are a threat to everyone, and that’s what HEVC Advance is. Before launching, HEVC Advance needed to be way more mature, specific and decisive if they are trying to position themselves as a significant and industry-enabling HEVC patent pool.

Patent licensing and IP uncertainty is always a risk with any new video compression technology, and HEVC is no exception to that rule. Most in the industry have been predicting minimal concern on that front so far, given the well structured nature of the MPEG LA patent pool, the fair licensing structure, and a general belief within the CE and codec vendor communities that the industry had learnt from past experiences and would not adversely hinder HEVC uptake through patent uncertainty.

CE Adoption numbers have been looking promising since late 2014, with many smart 4K TVs and newest smart phones from Apple and powered by Android offering built-in HEVC decoding capability. 4K trials are also underway around the world, most recently by Tata Sky for the World Cup Cricket tournament, powered by Ericsson and Elemental. The recent announcement by HEVC Advance throws a hard wrench into that momentum for several reasons. One, it offers no clarity or reassurance to potential licensees that they will be given a smooth path to truing up on past shipments and be offered reasonable and financially viable terms. Second, it is heavy on brand names and light on details, which does not generally reflect a mature program that is designed to maximize adoption.

We also have no clarity on the strength of the claims that the group is making, or what exactly these patents relate to. If they are for areas not directly tied to core video processing, for example audio or certain HDR techniques or specific filters that offer incremental improvement, then their impact could potentially be circumvented. But if they cover core video processing tasks within the HEVC standard, then we have a big problem on our hands. The good news? The community has by and large had enough of patent related disruptions, and so if indeed the latter is the case, expect some heavyweights to jump into the fray quickly and decisively to resolve the mess.

You would think HEVC Advance would offer more details, but so far, they refuse to. They did tell me that their patents were “core” and “essential” to HEVC deployments, but didn’t define exactly what that meant, or which use cases they were referring to. Of the five companies they expect to have in the pool at launch, they offered no opportunity for me to speak to any of them and it’s clear that this GE is currently leading the pool. This might be good for patent holders who have a clear desire to make money from their patents, but bad for the industry participants that mighth have to license them. Of course HEVC Advance spins it in a positive way saying it’s good for the entire industry as it allows you to go to one place to license many patents, but if they are expensive, then that’s not positive.

One has to wonder why all of the five companies named in the press releases decided not to join the MPEG LA pool. They had the opportunity to join, but clearly felt they can earn more money with a new pool. How much more money we don’t know until we see their licensing terms. If you want a breakdown on MPEG LA’s HEVC licensing costs, see Jan Ozer’s great article, that gives you all the hard numbers.

HEVC Advance has been quoted as saying that the, “market is requiring a different approach to aggregating and making HEVC essential patents available for license”, but again, won’t say or detail how their approach is different. I also don’t see the “market”, defined as those who license HEVC patents, saying their needs to be an alternative model to what MPEG LA already has in place. Companies behind HEVC Advance simply want to get paid more than they could by being in MPEG LA’s patent pool, which we’ll know for sure when they disclose their licensing terms. As a CNET article pointed out, HEVC Advance promises a “transparent” licensing process, yet won’t share any details. There is nothing transparent about how they have decided to come into the market.

Note: Frost & Sullivan Analyst Avni Rambhia contributed to this post.